Behind the Lone Star Series: #3

I love the how looking at water in a natural setting can spark so many different emotions. Serenity, excitement, awe, all the way to “looking wild… time to go!” So many memories of so many wonderful places in many different states. This is why so many of my paintings will have a bit of lake, river or creek somewhere in the scene.

Number 3 in my Lone Star Series: Water View could be anywhere in Texas. It came from my imagination and is not of a particular spot. It’s more of a memory of many places that look something like this (minus all the red… but you get what I mean). I hope it will remind you of some place you’ve been, maybe while hiking or looking for a place to go fishing. Or maybe when you were out looking to see where the cows went.

Palette knife painting using oils and cold wax on a wood canvas.

Lone Star Series: #2

The second in the series The Field was inspired by so many scenes typical on the back roads north of where I live. Again, it’s not of a real place. It’s a compilation of things I have seen and put together in my mind. That’s what we do. We try and put on canvas what is in our mind (or right in front of us if using a real reference).

This is not the final rendition of this painting. (I forgot to take a photo.) Anyway, when it was still in the gallery, I kept saying to myself it was missing something. It needed something. It wasn’t pulling me into the scene the way I wanted it to. So after several weeks, I took it home and did a little reworking. I added a small area of sunflowers in the foreground of the field and a tiny bit of green here and there. To me it looked so much more appealing. I’m glad I listened to my gut. The painting sold less than a week later.

The lesson here? If your gut rumbles, listen. It’s trying to tell you it’s more than just hungry.

Behind the Lone Star Series: #1

As in many other once wide open spaces, North Texas land is being torn up and turned into shopping areas and subdivisions. It makes me sad. So, I started the Lone Star series as my way of saying to the land “I miss what you used to be.”

Fields with cows aren’t just in Texas, but how can you think about a Texas countryside and NOT imagine cows? Some states are just historically cow country… or used to be.

As a kid, I spent a lot of summers around cows over in Oklahoma. Stepped in quite a few “cow patties” too. (Now that’s something I’ll never miss.) As a kid, I liked rodeos until I saw a calf get roped and its head snapped so hard it was injured. Didn’t want to see anymore after that. At least not the roping part.

Then and now, I have a deep appreciation for these animals. Like other livestock found on farms and ranches, they provide so much for us, and ask so little in return.

The painting above is done in oils mixed with cold wax and applied with palette knives. My favorite way to paint.